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The Lame God: Florida Book Review Reviewed by Marci Calabretta Because the adage is true that there are too many books and so little time, I've learned to devour poetry quickly. When I picked up M. B. McLatchey's debut collection of poetry, The Lame God , I expected to breeze through it as easily as any other book. But The Lame God is not like any other book. In fact, it is exactly the sort of book you can only read by pondering slowly. It is also a book that calls readers to action, even before the first poem begins. In the preface, McLatchey writes that roughly 2,000 children "are reported missing daily to the National Center for Missing and Exploited Children." An opening epigraph next reads, "Acting quickly is critical. Seventy-four percent of abducted children who are ultimately murdered are dead within three hours of the abduction." In the first section, each poem resonates with the frustration of waiting helplessly for a child to return. The narrator in "1-800-THE-LOST" says, "I want her to discuss you in the present tense. // I want the gods to stop pretending love calls the departed home." Each subsequent section delves deeper into the anguish of loss. First, McLatchey shows the frustration which evolves into real and righteous anger, demanding that the guilty "choke up my child like the Olympians— / a girl, unbruised by her journey down their // throats." Then comes the lashing-out and self-blame. "Apology" is a list poem of regrets that will break your heart: For—trusting your safe return-- not missing you. For trusting the gods. For my second-rate circumspection; for trusting the odds. [...] For teaching you not to shout. For us still uncovering your terror—layer by layer. For this sputtering sound of real prayer. Finally, comes the acceptance—not of absence, or of seeking justice, or even of grief itself. No, these poems finally settle into the acceptance of waiting for news of any kind—good or bad— because either way, these parents will be there when their children come home. "Do not worry, daughter. We are not leaving our watch / or showing our cards—just changing the guard." McLatchey is the poet standing at the gate, holding a torch to keep hope aflame even as the darkness descends. A graduate of Harvard University, Brown University, and Goddard College, McLatchey currently teaches writing and humanities at Embry-Riddle Aeronautical University in Daytona, Florida. Well-versed in Classical mythology, she knows how to grit her teeth and tell the traumatic story in a way that will make people listen. She is the rare poet who looks fearlessly and closely at the terrible actions of which humans are capable, and who tenderly yet artfully tells the true stories of Adam Walsh, Amber Hagerman, Levi Frady, Maile Gilbert, Morgan Chauntel Nick, and Molly Bish, whose mother "encouraged [McLatchey] to 'keep talking about this; keep writing.'" When Edward Field chose The Lame God for the 2013 May Swenson Poetry Award, he wrote, "it takes courage to read this book...In exploring such a grief through the language of poetry, McLatchey makes things happen —she gives a voice to those too grief-stricken to speak, and she refuses to allow us to suffer in silence." This book is not for the faint-hearted, or for the "breezy reader." This book is for those 2,000 children daily reported missing, for their families, and for those moments when poetry alone can break through the grief. "But it is especially for the child who has not yet pried open a bolted door, borrowed a neighbor's phone, and announced to a 911 operator, 'I've been kidnapped and I've been missing...and I'm here.'" Marci Calabretta grew up in Ithaca, NY and is currently earning an MFA at FIU. Her work has appeared in Rainy Day, The Albion Review, and The MacGuffin. She is the co-founder and managing editor for Print Oriented Bastards and a Florida Book Review Contributing Editor. Marci Calabretta grew up in Ithaca, NY and is currently earning an MFA at FIU. Her work has appeared in Rainy Day, The Albion Review, and The MacGuffin. She is the co-founder and managing editor for Print Oriented Bastards and a Florida Book Review Contributing Editor. The original article by Marci Calabretta can be found at: http://www.floridabookreview.net/poetry.html

Hestia, protector of missing children, you with soft oil dripping ever from your locks, come now into this house -- draw near, and withal bestow grace upon my song. ― Ancient Greek prayer. Award Winning Poetry - 2008 Muriel Craft Bailey Memorial Award - Special Merit Museum Hestia, protector of missing children, you with soft oil dripping ever from your locks, come now into this house -- draw near, and withal bestow grace upon my song. ― Ancient Greek prayer. Historical pieces, these things of yours: a deflating ball, a bike not on its kick, but propped against a garage wall; a crestfallen lacrosse stick. Tours have come through as if walking the way of the cross: neighbors with pasta, a friend to awkwardly drop off a borrowed dress. Police with their pens and pads making calculations. A press release for the missing, accosted kidnapped, or dead; your photo, a ghost of a soul you had. Musee de Beaux Arts for the ambushed, the dispossessed, for guardians, who did not guard our watch, conservators of hellish thoughts, thoughts too wretched for talk. Prayers in place of a fight we would have fought had you called out. But what, after all, can our prayers do except repeat prayers from the past, and that surely God knew. Copyright © 2007 M. B. McLatchey. All rights reserved. Muriel Craft Bailey Memorial Award Special Merit. Published in The Comstock Review , January 2008. Previous Next

For a foster child Award Winning Poetry - 2014 Narrative Poetry Contest - Semi-Finalist The Bath For a foster child The slightest wrong move could mean tidal waves. Certain disaster to a boy with everything resting on delicate tissue – a bruised knee to which you command a corps of plastic ships – an austere but (you promise) heavenly beach where men may lie down in soft sand, a tiny fold in your thigh; write letters and find oranges to eat; plan the next battle. Hard that you know so much about these distances from home. A trumpet blast! You steam your mission out. Predictably bad weather and still another perilous gorge of falls and fleshy islands. The search resumes for citrus or, at least, friendly harbor. I wish you both -- and not another tour of calculations tossed or unchartered, and not this shadowy map on water. Copyright © 2014 M. B. McLatchey. All rights reserved. Naugatuck River Review's 6th Annual Narrative Poetry Contest Semi-Finalist. Published in Naugatuck River Review , November 2014. Previous Next

Index Previous Next Another Inevitable Romance at Olduvai Gorge People are always talking about you here. They picture you with lava under your nails and send maps saying, THIS WAY OUT . How do you tell them about the beautiful evening soups you’re making and about this science between you and the soups? There’s pleasure enough in a banquet, they say, Who wants any more? At the gorge you can’t help wanting more. You want more than ever to bury a skull in your lap and speak to it sweetly: Here is an evening for gazing, old man. Who was it that hammered your skull? You give soup to the skull and watch it come around. Nowhere but at the gorge were there two, you and the skull you love, so pure and full of soup. Still, they picture you with mud on your face. They wonder if you could describe the skull in an objective manner. There is no sense adding up the years since, at the gorge you have counted only the serenest hours. . Copyright © 1978 M. B. McLatchey All rights reserved. Accepted for publication in Science , 1985. Appeared in Advantages of Believing, Finishing Line Press, 2015. Published in Avatar Review , summer 2021.

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Index Previous Next Rate My Professor: A Rebuttal Do not take. She makes you talk no matter where you sit. I greeted you at the door, another mother’s child delivered. You looked away as if a lamb had been slain. Your early sounds parsed, seeds seeking ground – then whole thoughts crowned. Ridiculous grader. She actually reads your work instead of the deserved A. So hard to put a score on this – this wrestling with your age. Rubrics hold out such promise – then fold, fade. Instead of systems: a new thought, like a starling transporting a golden bough, was what we praised. I didn’t come here to read ancient epics, poems, plays. Remind me again how this gets an engineer employed? Leaving Troy, Odysseus had one thing – Ithaca – in mind. The gods gave him their scales: slay the proud boy in you and die a king regaled. A cyclops, sirens, a bard spared among suitors to sing your tale. All of them pleading: Set sail. Set sail. . Copyright © 2022 M. B. McLatchey. All rights reserved. Published in Sky Island Journal , Issue #23, Winter 2023. From the editors: [This poem] spoke to us immediately. Intensely personal yet wildly accessible, it transports and challenges us in ways that poems seldom do. This powerful, vulnerable, tapestry of human landscape is a meditation on the presence of absence and the absence of presence, and it bears fruit in such beautiful and unexpected ways ... The elegance of your craft, and “Rate My Professor: A Rebuttal,” are two gifts that keep on giving; we discover more about them, and ourselves, with every reading.

Index Previous Next Trigger Warning We have art in order not to die of the truth. ― Friedrich Nietzsche This spring, as in previous springs we will have our themes: A young man will take his mother to bed – then blind himself with her dress pins when he learns the truth. Another mother will die yearning for her son’s lost youth – ten years in combat in some hell called Troy, ten more at sea, a champion of the gods, or a beautifully- carved chess piece. In our fifth week, the most promising student will stop coming to class – uncounted, unseen. Some of us will look for her in our dreams. In one, she will wave, relieved, as she sails away. In another, she will signal a code – fragments like shards from an ancient, splintered vase; runes like self-spun elegies which, as a class, we will read. A champion of the gods, or a beautifully- carved chess piece? In the tenth week, the quietest one will change his place from Enrolled to Audit – a jockeying for a Pass on this charted and uncharted course – or kiss and a roll of the dice. A look at his source. The same week a veteran marine will submit his term’s work – a dense, hard-copy, thoughtful, heap – then swallow and swallow and swallow and finally sleep. A champion of the gods, or a beautifully-carved chess piece? The rest of us will proceed. Like clockwork, carillon will ring. Gowns, assemblies, deans. Swallows will stir the clock tower – Lazarus-like – and crocuses will flower on the campus green. . Copyright © 2018 M. B. McLatchey. All rights reserved. Published in Harpur Palate of Binghamton University, Fall 2018, Vol. 18.1.

Index Previous Next A Drink of Water A tactic for keeping us near, not for staying awake. Still we’d call, Go to sleep! – joke that the well was dry. We don’t see our mistakes right away. I sent his father pushing his whole self: sleep-walker, his father's father, laggard pilgrim. From across the hall, we heard a small boy drink as if he meant to teach us how it’s done: exaggerated gulps, or blessing of the throat, or baptism; the sinking thrill of water filling his bony frame, or drowning him. And then the playful gasp between each self-immersion. The antics of the unconverted. Had he said his prayers? His sadness at the question, his sour objection. One more. One more dog-weary tour and prayer was this encounter of his thirst with ours. . Copyright © 2019 M. B. McLatchey. All rights reserved. Published in The Banyan Review , Fall 2023.

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Index Previous Next Girl at Piano Rings of blue smoke swirl above her head like kisses floating off a palm, or like balloons of varnished silk that stretch and lift her toward a parting draft. A mix of comic strip and something raw that worked in Lichtenstein's pastiche of lines and polka dots; yet, somehow, coming from her lips these figures make us shift and sip - and sip again. What is it makes us look away as if remembering things to do at home? Is it the clear distinction: what she sings and what she knows? That unexpected nimbus of true thought? Easier, no doubt, to look through little comic blocks, dream-like and Byzantine -- present, yet one remove from present scenes. . Copyright © 2006 M. B. McLatchey All rights reserved. Published in Beauty/Truth: A Journal of Ekphrastic Poetry , Fall/Winter 2006.

Index Previous Next House on Fire Too late to talk of causes. A faulty switch? A pile of letters left in an attic’s heat? Desire unveiled too late to relinquish its sensual trail? All these, and love’s capacity to make a fearful pit, then send a Beatrice to us in Limbo. Protectors of the smiths, patrons of handicrafts; molders of metal dreams. You conceived me: one of your handmaidens forged out of bronze and yellow flames. Beautiful corridor of fire transmuting ordinary days into shimmering reliefs. I was the heat, the blast of stars rooting itself in love’s soft metal. I was the maker of alloys naturally weak. Gifts that I hammered and hammered. I never ran from technique. . Copyright © 2008 M. B. McLatchey. All rights reserved. Published in T he N ew Fo rmalist , Volume VIII, Number I.

Award Winning Poetry - 2005 Winner of the Annie Finch Prize On Recognizing Saints As if to find new icons for her life or as if - piece by piece - to dismantle mine she scans our purchases too consciously. Flips through a magazine I'm embarrassed to be buying. Studies its regimen for shapely thighs, asks me - because she's heard - if drinking wine is good for nursing. The shift from idle chitchat to appeal. Camille, her nametag says. Camille of olive skin and violet nails with long metallic tips, who flashes her lover's sucking marks like her stigmata. Camille who isn't showing yet - but like Crivelli's virgin martyr Catherine, peers sidelong at me and leans decoratively against her register as Catherine did against her studded wheel. So clearly Catherine that I want to look away - or kneel. And yet, Crivelli would have framed her differently: a martyr tucked away with other martyrs in a predella of muted colors, quiet suffering. None of this heart-to-heart - this girlfriend talk that brings to mind a string of small petitions and makes me say my part. Copyright © 2004 M. B. McLatchey All rights reserved. Winner of the Annie Finch Prize, 2005. Judge: Margot Schlipp Published in The National Poetry Review , Fall/Winter 2005. Previous Next