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The Healing Power of Poetry - Women's Health and Breast Cancer Care Awareness Women's Health and Breast Cancer Care Awareness - 2024 Sponsored by Atlantic Center for the Arts and AdventHealth This article first appeared in Of Poets & Poetry , Nov/Dec 2024.

The Arrangement 2012 Robert Frost Award First Runner Up A poem that pays tribute to the power of art in a time of grief. The art here is a painting by an unidentified artist entitled “Flowers in a Vase.” The thick yellow paint of the petals reach down and stay with the speaker as young girl on a class outing. The yellow paint is suddenly everywhere: in the child’s starched uniforms, on the perfect walls, on the road and on the river as seen from the bus as she travels home. Was the surreal nature of the paint’s effect a sign of what would come? Or did she sense the turn of events about to happen, was she left susceptible to a visceral effect of the thick yellow paint, in a sense, the power of art? Once home, she finds family members assembled and her father in grief. A special connection is made with her mother in the form of a gesture, that of pressing foreheads to connect with another in grief, something she learned from her mother, the deceased. There is a wonderful link to the painting made in the last few lines as the family turns from grief to decide “where the visiting aunts would sleep/ and “who would order the flowers.” A deftly written lyric narrative with questions left open for the listener. --Judge, Kathleen Aponick 2012 Robert Frost Award Robert Frost Foundation

Upcoming Events: April 2026 - Poetry Workshops - Atlantic Center for the Arts ACA will again be celebrating National Poetry Month by sponsoring a four-part series of poetry workshops hosted by M.B. every Wednesday in April next year from 4:15pm until 6pm. Signup Details Here . Previous Events: Oct. 24 - 26, 2025 - FSPA Fall Convention M.B. will be joining Sean Sexton and Brian Turner as speakers at the FSPA poetry convention next Fall in Lake Wales. The event will be held at Bok Tower Gardens . Details Here . March 26, 2025 - Poetry Reading M.B. will be guest reader at the Crazy Wisdom Poetry Circle event via Zoom. Open to all, the reading will be followed by an open mic. Details here. January 2025 - Poets for Peace Join M.B., local area poets, and musician Ray McNiece on Thursday January 23 at 7pm for Poetry & Music in Support of the Orphans in Ukraine . The event will be held at the Unitarian Universalist Church, 56 North Halifax Drive, in Ormond Beach. Free admission; donations welcome. Contact Joe Cavanaugh, jcavanaugh1@gmail.com November 23, 1-2pm - Let's Talk Poetry! M.B. will host a creative writing discussion on Saturday afternoon during National Novel Writing Month at the New Smyrna Beach Regional Library, 1001 S. Dixie Fwy, NSB. Details here . November 6, 13, 20 - The HUB on Canal M.B. will host Florida Loves Poetry!! ™ workshops on three consecutive Wednesday afternoons this November (2024) at The HUB on Canal in New Smyrna Beach. Sign up here . October 2024 - FSPA Fall Conference The annual Florida State Poets Association Fall Conference will take place October 25 - 27, 2024 at the Quality Inn & Suites Palatka Riverfront in Palatka, Florida, on the beautiful St. Johns River. M.B. and several others will be conducting writing workshops this year. Details and agenda here . Oct. 2024 - Women's Health and Breast Cancer Care Event. The Atlantic Center for the Arts is partnering with Advent Health NSB on October 2, 2024 for an evening focused on mindfulness and women's health . As guest speaker, M.B. will explore the healing power of creativity. Details here . April, 2024. National Poetry Month ACA Poetry Workshops - Get ready to embrace National P oetry Month in April, 2024 by signing up now for Florida Loves Poetry workshops and see why poets are calling these "the best poetry workshops in Florida!" M.B. will host four consecutive Wednesday night classes, 4pm to 6pm, at the Harris House in New Smyrna Beach. Free of charge. Beginners to advanced are welcome, but seating is limited. SOLD OUT Wed., February 28, 2024 7-9pm Patio Poets - Maitland - M.B. will Guest Poet for the evening at the Venue on Lake Lily in Maitland. Her reading will be followed by an Open Mic for poets. All poets are welcome.. January 20, 2024, 5:30-7:15pm The HUB on Canal Poetry Night . M.B. will Guest Poet for the evening during The Hub's open mic monthly event. For info, contact Mary Jane at 386-214-6409. Nov. 19, 2023, 10:30am to 4pm Fall Festival of the Arts - Deland . Poetry readings, open mic, and poetry slam. M.B. and Volusia Poet Laureate Dr. David Axelrod will both read from their works at noon on Sunday at the Chess Park Stage next to the courthouse in downtown Deland. Oct. 25 - Nov. 15, 2023 Poetry Workshops at The HUB on Canal . M.B. will host four poetry workshops that will run on consecutive Wednesdays from 4:30 to 6pm starting on October 25. Serious poets and writers of all skill levels are welcome. SOLD OUT Sept. 16, 202 3 Refreshments and Readings - Barnes & Noble, Tomoka Town Ctr., Daytona Beach, Saturday, Sept. 16. at 2:30 pm. M.B. will be joining author Ginger Pinholster to read from their upcoming works. Ginger will be launching her book Snakes of St. Augustine and M.B. will read from her newest collection, Smiling at the Executioner . Please respond to the evite to reserve you spot. April 2023 ACA Poetry Workshops - SOLD OUT Atlantic Center for the Arts will host their annual poetry workshops at ACA Harris House in New Smyrna Beach throughout poetry month next April. M.B. will host four workshops over the month with the theme "Freeing our poetic voices the formal way". Admission is free. Sign up on ACA's website . UPDATE : The ACA poetry workshops are currently sold out. You can send an email to mbmclatchey@gmail.com if you would like to get onto the standby list. Oct. 21-23, 2022 Florida State Poets Association - Annual Fall Convention The Florida State Poets Association (FSPA ) will hold its annual fall convention in Daytona, Florida at the Marriott Residence Inn Daytona Beach Shores. M.B. will be moderating a panel of experts on the topic of Slam Poetry. Details here. Sep. 22, 2022 - 5:30 - 7:30 PM Breast Cancer Awareness and Prevention Free event sponsored by AdventHealth and Atlantic Center for the Arts. Experience mindfulness activities through meditation and expressive writing. Includes a healthy dinner and refreshments. Open to the Public. Details here. Sep. 27, 2022 - 7:30 PM Miami Poetry Reading J oi n poets January Gill O’Neil and Susan L. Leary at The Betsy-South Beach Library in Miami for an evening of poetry hosted by SWWIM . Arrive early with M.B. to meet the artists at 6:30 PM. Details here . September 10, 2022 (Saturday) Wheaton Writing Academy - Online Workshop Nationally-recognized Wheaton Writing Academy will sponsor a three-hour online workshop, “Unleashing Our Poetic Voices”, with M.B. as host. Beginners to advanced-level poets are all welcome. Time: noon - 3pm. To register or for more info, email wheatonwriter@gmail.com . April 13 - 14, 2022 Miami Poetry Readings Check out SWWIM's list of upcoming events and readings at The Betsy Hotel in South Beach, Miami. April 6, 13, 20, 27 - 2022 ACA Poetry Month Workshops Celebrate National Poetry Month in 2022 with Atlantic Center for the Arts! M.B. will host poetry sessions every Wednesday at 3pm throughout the month of April at ACA Harris House in New Smyrna Beach. Admission is free, but seating is limited. Sign up here . November 3-5, 2021 HundrED Innovation Summit 2021. Join M.B. and education experts from around the world to talk about the future of education. The three days of expert panels, live workshops, and networking with industry representatives are free to all and completely virtual. Details here . November 10 & December 15, 2021 SWWIM (Supporting Women Writers in Miami) will host poetry readings at The Betsy Hotel in South Beach, Miami at 7pm. October 2021 The 10th Annual Winter Park Paint Out International Poetry Competition is about to begin. Join other poets in creating your own ekphrastic response to a contestant's painting. Find out all of the details here . Entry is free, but, you need to hurry. Sept. 28, 2021 Florida State Poets Association Zoomies ( Originally scheduled for 9/14/21 ) Join the FSPA Zoomies and M.B. for a special presentation at 7:30 p.m. via Zoom. M.B. will read from her new book Beginner's Mind and speak to the topic of "poets writing prose". If you have a question you'd like her to respond to during the presentation, you may email her in advance at mbmclatchey@gmail.com. Attendance is always free for these events. Details here . June 9, 2021 M.B. will be featured as a guest reader for the Midsummer Night's Pensive Reading , hosted on Zoom by Northeastern University's Center for Spirituality, Dialogue, and Service (CSDS) and the New England Poetry Club. Readings start at 7pm. RSVP preferred. May 15, 2021 Beginner's Mind - Book Release. Now available from Regal House Publishing and your favorite book suppliers. May 1, 2021 For a behind the scenes look at M.B.'s new book, Beginner's Mind , check out her interview in the May/June issue of Florida's premier poetry magazine, Of Poets & Poetry . Spring 2021 Fresh Perspectives in Poetry In partnership with Atlantic Center for the Arts and with sponsorship from The Florida Humanities Council, M.B. is hosting a four-part poetry series on Facebook. From the comfort and safety of your home or workplace, join M.B. on a journey of learning from the world's most notable masters. Free of charge and open to the public. Details here .

Index Previous Next Winner of the 2013 New South Writing Contest Amber Alert A white Ford, black gate, Georgia plate, squeezes into our lane. In the back, a Whitetail – tagged and slashed from her chest to hind legs – looks back at us. Her eyes a dark glass. Opening day for deer hunting. Cars pass and pass. In a field, lightning bugs darted and flashed in your hand. Half-girl, half-doe, you started and stopped, palms cupped. Someone carried you off and we cheered for the boy in the clay, his heel on home plate. It was a beautiful steal. Did he thank the deer for her head when he knelt above her? When he opened her middle to empty inedible parts? When, for a clean job, he severed her windpipe and – hunter’s nectar – he saved her heart? . Copyright © 2013 M. B. McLatchey All rights reserved. Winner of the 2013 New South Writing Contest. Published in new south : Georgia State University's Journal of Art & Literature , Summer 2013. Judge's Review

Reject your sense of injury and the injury itself disappears. - Marcus Aurelius, Meditations Award Winning Poetry - 2020 Pushcart Prize Nominee 2020 Best of the Net Nominee 2021 Smiling at the Executioner Reject your sense of injury and the injury itself disappears. - Marcus Aurelius, Meditations As if the open barrel were a lotus; its roots anchored in mud. How undeterred by murky water, it submerges and reblooms: petals like crystal glazed and without residue. As if you never felt something move: no welcome and prescient ache, no sudden flexing, no cycle taking shape. No memory. No calendar. No yield – because you are the bullet’s shield. As if you have nothing to lose. As if all that you have learned to love: the beating heart; the mythic glove of a palm blooming in the womb; the scent that follows touch – is suddenly dust. Just the open-grinned, white-toothed stare down this time; the stayed and steady practice on your knees of mastering someone else’s pleas. Copyright © 2020 M. B. McLatchey. All rights reserved. Published in Sky Island Journal , Summer 2020 Pushcart Prize Nominee 2020 Best of the Net Nominee 2021 Editor's comment: ...the epitome of what we consider powerful poetry to be. Vivid, palpable imagery saturates the perfect pacing of this svelte, knife-like piece. Full Review Previous Next

Index Previous Next Cues I got rid of my landline when my mother died. ― for Gina Line in a fertile, buzzing ground; twine like the curled, life-giving cord whose length in a chamber of membranes and underwater sounds once matched mine from rump to crown. Deliverer of sustenance; mythic shield maker; fashioner of a perfect air; perfect cosmos, perfect sphere. And from me to her: wastes to be purged, calls for defenses from a viscous, Delphian orb of still-blooming limbs and senses. It is dots and dashes now. A relapse or a renewal of where we started: your profile in a passing car; a cashier who recaptures your knowing glance; the chance sound, in a crowd, of a woman’s laugh – then your signature sighing. Presences like parting joys. Cues that the dirge is the wedding song – as perhaps we’d known all along: the sudden breeze that catches us off guard; the dog’s inexplicable bark; the smell of rain drying; stars at their brightest before expiring. . Copyright © 2019 M. B. McLatchey. All rights reserved. Published in The National Poetry Review , Fall 2020

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Index Previous Next 2012 Winner of the 46er Prize for Poetry Bingo Night for Missing and Exploited Children B efore we went underground. Before you fell through a gyre with no sound. I f one piece were unwound. If you had run. If we had looked for you sooner. If you had screamed. If the gods had intervened. N ascent. Still blooming, the orchid on your window sill. A thrill of color. G one. Gone. Gone. Gone. Gone. Phantom limb. If the soul leaves the body, we did not feel it go. Nothing and everything cloistered in stone. O mens we left for others. Ripples on a resting pond. The whistling of a breeze. The imprint on the ovaries. . Copyright © 2012 M. B. McLatchey All rights reserved. Winner of the 2012 Adirondack Review's 46er Prize for Poetry. Published in The Adirondack Review , Summer 2013. Original version published here . The 46er Prize refers to the forty-six major peaks of the Adirondacks. Hikers who reach all forty-six summits are deemed "Forty-sixers." Also published by Beacon Press in The Blue Room Collective's anthology, Grabbed , Summer 2020.

The Lame God Foreword by Edward Field Let me warn the reader: It takes courage to read this book. This heartbreaking sequence of poems on the abduction of a daughter hit me like a ton of bricks, and I had to put it aside several times. But what courage it took to write it! Though there are many poems on grief, and even on crime—websites are devoted to them—I have never come across a book of poetry like this before. I hesitate to mention a popular genre like “true crime” in relation to the high art of poetry, but The Lame God like that genre speaks with such power, because its subject matter is so unspeakable. While M.B. McLatchey’s lyricism here seems indifferent to narrative, and this collection recoils from the piecemeal reportage of the crime novel, each poem in the sequence draws us closer to the scene of the crime. What we are not told only enlarges the horror – and the pathos. With its controlled language and emotional restraint, I’m reminded of my acting teacher who used to say, “Actor weeps, audience sleeps. Actor withholds tears, audience weeps.” This book proves it. Striking about the style is its dead seriousness. The tragedy explored here has grounded the author in such a profound, such a justified, seriousness that there is no room for anything else—no playfulness, no witticism—no relief, except in the cathartic release of poetry. In fact, it seems a heroic act—an act of survival—that she has sculpted these poems so austerely, and so appropriately like a Classical urn. I was surprised to find Classical references in poetry again, after they had disappeared for the past half-century, but they work! For in the violence of the ancient Greek myths, McLatchey finds an appropriate landscape of metaphor. May Swenson, in her poem “Snow in New York”, spoke of the power and magic of words. Dealing with my own sorrows and terrors, I have always felt poetry to be a healing art, and it has helped me through my worst times. Indeed, the Inuit taught that the right words actually make things happen (in spite of W.H. Auden’s dictum that they don’t). Like a survivor of other horrors, one can never be reconciled to such a monstrous event as this book reveals. Nor does religion help much. Yet, in exploring such a grief through the language of poetry, McLatchey makes things happen—she gives a voice to those too grief-stricken to speak, and she refuses to allow us to suffer in silence. It is a hard fact that, to the artist, everything is material. We grit our teeth and use even the most personal catastrophes—our own and those of others—to make art. This is what the Classical authors did, and this is what M.B. McLatchey has done with her great subject in this book. The effect is powerful, and ultimately, The Lame God proves that if our traumatic experiences don’t destroy us, they can produce masterful works, in which human nature rises to its heights. Edward Field 2013 Preface by M.B. McLatchey In his Preface to the Lyrical Ballads, Wordsworth insists that the poet’s subject need not come from personal experience, but it must become personal experience. In committing to a regimen of repeated witness in the world, the poet’s very impulses and habits of mind are transformed until, over time, the poet’s work becomes the poet’s life. When parents lose a child to an abduction and murder and then descend into a well of grief, the poet writes as a way to call to them until it becomes clear that she must descend into the well herself—to know the water level there, the damp walls, the underbelly of this abomination. The poems in this collection are “well poems”—conceived and drafted in a pit of loss and rage, with its shadowy promise of redemption. The story that this book tells is true. No names have been changed to protect the innocent—the innocent have already seen the face of evil, smelled its breath, learned its customs. This book is offered in memory of Molly Bish and in homage to her mother, Maggie Bish, who encouraged me to “keep talking about this; keep writing.” It is also for Adam Walsh, Amber Hagerman, Levi Frady, Maile Gilbert, and Morgan Chauntel Nick. It is for the roughly 2,000 Mollys and Adams and Ambers and Levis and Morgans that are reported missing daily to the National Center for Missing and Exploited Children; it is for Deb Cucanich and for the tireless case-workers at the Department of Children and Families. This book is for three girls held captive and abused for a decade in a house in an American city—but it is especially for the child who has not yet pried open a bolted door, borrowed a neighbor’s phone, and announced to a 911 operator, “I’ve been kidnapped and I’ve been missing . . . and I’m here.” M.B. McLatchey 2013

Published Poems Sort by Title Year Title Journal Award 2025 Illuminator Porcupine Literary 2025 Grading on a Curve Saw Palm: Florida Literature and Art 2025 Last Lecture Saw Palm: Florida Literature and Art 2025 Plan B Azure Lazuli Literary Group - First Place 2025 Academic Calendar The Soliloquist Journal 2025 Is there a Final Exam? Azure Lazuli Literary Group - First Place 2025 Palinode Neologism Poetry Journal 2025 Dream Song Teach. Write. 2025 Trojan Horse The Common 2025 Ethos, Logos, Pathos Azure Lazuli Literary Group - First Place 2025 Full Disclosure The Missouri Review Poem of the Week 2024 For a Dying Child International Human Rights Art Movement Rhonda Gail Williford Poetry Prize - 2nd Place 2024 Pop Quiz Sky Island Journal 2024 Invocation Before a Day of Teaching Crab Orchard Review 2023 Rate My Professor: A Rebuttal Sky Island Journal 2023 Balcony House Tampa Review 2023 Morning in Three Movements The Banyan Review 2023 A Drink of Water The Banyan Review 2023 Synonym for Marriage The Banyan Review 2022 The Wisdom of the Cave SWWIM 2022 Inventory Southern Poetry Review 2022 The Shadow Maker Sequestrum 2022 War in Eurasia Sequestrum 2022 Calendar Plans Relief 2021 Ctrl+Z Florida Review 2021 On Forgetting Ash Wednesday Iris Literary Journal 2021 Before the Common Era Quadrant 2021 Aftercare Raintown Review 2021 Invocation Cider Press Review 2021 The End of Knowing The Criterion 2021 Another Inevitable Romance at Olduvai Gorge Avatar Review 2021 Ode for My Department Chair Who Left a Face Shield on My Desk NCTE English Journal 2020 Bingo Night for Missing and Exploited Children Beacon Press Blue Room Collective - "Grabbed Anthology" 2020 Prometheus's Regret Halcyone, Black Mountain Press 2020 Smiling at the Executioner Sky Island Journal Pushcart Prize Nominee 2020; Best of the Net Nominee 2021 2020 Ode for an Absent Student Naugatuck River Review Narrative Poetry Contest - Semi Finalist 2020 Afterlives Pensive: A Global Journal... Featured in Verse Daily - 2024 2020 Cues National Poetry Review 2020 Ode to the Heart Of Poets & Poetry, FSPA 2019 We leave the beaches for the tourists, mostly Saw Palm: Florida Literature and Art 2019 Ode for Amy Smithsonian Arts&Sciences 2019 Ode for an Ode on a Grecian Urn Folio 2019 Folio Editor's Prize - Winner 2019 Where Winter Spends the Summer SWWIM 2018 Anthem Harpur Palate 2018 On Folding a Fitted Sheet Harpur Palate 2018 Learning the Scriptures Naugatuck River Review 2018 Trigger Warning Harpur Palate 2017 Bad Apology SWWIM Narrative Poetry Contest Semi Finalist; also featured in March 2020 #Tbt 2016 Ocracoke Briar Cliff Review 2016 Urban Helicon Cold Mountain Review 2016 Parousia Tar River Poetry 2016 Sugaring Naugatuck River Review Robert Frost Award - Finalist 2015 The Breakfast Piece Drunken Boat 2015 Emperical God Ruminate Magazine 2014 The Bath Naugatuck River Review Narrative Poetry Contest - Semi Finalist 2014 Portable Labyrinth Aurorean 2013 Amber Alert new south: Georgia St. Univ. Journal New South Writing Contest - Winner 2012 The Arrangement Beauty/Truth: Ekphrastic Poetry Robert Frost Award - First Runner Up 2012 At the Grieving Parents Meeting River Styx Rita Dove Poetry Award - Semi Finalist 2012 1-800-THE-LOST American Poetry Journal 2011 American Poet Prize - Winner 2012 Catharsis Smartish Pace Erskine J. Poetry Prize - Finalist 2008 Arcadia Cider Press Review 2008 House on Fire New Formalist 2008 Museum Comstock Review Muriel Craft Bailey Memorial Award - Special Merit 2008 The Rescue Comstock Review Muriel Craft Bailey Memorial Award - Special Merit 2008 Melville's Reader Spoon River Poetry Review 2008 The Retrieval Comstock Review Muriel Craft Bailey Memorial Award - Special Merit 2008 Oaths, Curses, Blessings Georgetown Review 2008 Snow Globe Cider Press Review 2008 The Lame God Spoon River Poetry Review 2007 The Rape of Chryssipus Spoon River Poetry Review Spoon River Editors' Prize - Winner 2006 Odalisque Comstock Review Muriel Craft Bailey Award - Finalist 2006 Girl at Piano Beauty/Truth: Ekphrastic Poetry 2006 Aubade DMQ Review 2006 Washday Ekphrasis 2006 Sanriku Willow Springs Vachel Lindsay Poetry Award - Winner 2005 A Kenning American Poetry Journal 2005 On Recognizing Saints National Poetry Review Annie Finch Prize - Winner 2005 Leaving the Mainland American Poetry Journal 2005 A Glass of Absinthe Anthology of New England Writers 2004 Against Elegies National Poetry Review Featured in Verse Daily 2003 Days Inn Shenandoah 2003 Teaching the Tragedies Southern Poetry Review 1985 The Peculiar Truth Grain 1978 Beginner's Mind Williams College Archives From the book "Advantages of Believing" 1975 On Rewinding Emerson College Review Emerson Original Poetry Award - Winner

Videos Videos: Fres h Perspectives in Poetry - Video Series . In partnership with Atlantic Center for the Arts and with sponsorship from The Florida Humanities Council, M.B. hosts a four-part video series on poetry. Join her on a journey of learning from the masters. Intro: How forms liberate the poet The Sonnet: Then and Now The Odyssey & Today’s Returning Veteran Seamus Heaney: Master of the Lyric Book Trailer for Beginner's Mind ( Link ) Podcasts: Education in Literature Podcast . Listen to M.B. (Beginner's Mind ) and author Kevin McIntosh (Class Dismissed ) discuss the philosophical underpinnings of their new education-themed books with Regal House Publishing's Jaynie Royal and Pam Van Dyk who do a spectacular job of getting to the story behind the stories while also eliciting foundational commentary from these seasoned pros on the challenges and rewards of teaching in today's age. Interviews: Of Poets & Poetry - FSPA How I Write Kickstand Poetry Atlantic Center for the Arts AWP - In the Spotlight NPR (Utah) - Radio with Tom Williams The Authors Guild - Member Spotlight Sequestrum - Contributor Spotlight My Links: My Author's Guild Site My Amazon Author Site My Facebook Site My Linkedin Site My Teaching Philosophy Can Writing Be Taught? What Others are Saying: Florida State Poets Association Poetry Workshop Reviews Seamus Heaney Edward Field Florida Book Review Brad Crenshaw New South: Georgia Spoon River Poetry Review Robert Frost Foundation Sky Island Journal Reviews Salem College Book Reviews by M B: Paradise Drive Accommodations The Clock of the Long Now Dark Card Earthly Freight Selected Essays by MB: Garcia-Aguilera and Barbara Parker Odysseus' Wounded Healer Beginner's Mind in the Classroom Published Chapters from Beginner's Mind : Right Notes Isms The Good Thief A Purple Heart Ex-Patriots Fallen Angels A Good and Simple Meal

BIO Fourth Grade 1963 Miss D 1963 Quincy Shipyard Fore River Bridge Goliath I grew up in a town where our parents were ship builders, bakers, waitresses, and cashiers, and where books found their right and proper place in the local library. Ours was an oral tradition, with the sounds and voices of elders and neighbors in inflections of Portuguese, Greek, Irish, and Italian – all of which I quickly learned to imitate. The result was a technical training that served a writer. I learned by ear the necessity for music in language, the power of truths told in nods and quiet breaths, and the critical importance of timing. And, I learned at my kitchen table that if you’re going to tell a story, it must be artful and it better be worth everyone’s time. At the age of ten, I met the woman who would become my lifetime mentor – Miss D, my fourth grade teacher. She would unleash my passion for literature and the arts and teach me how art connects us. A few years later, at the age of fourteen, I was awarded my first literary prize – 1st place in a poetry contest hosted by Boston’s Emerson College. In a packed campus theater, the contest judge, renowned poet Charles Simic, handed me a check for a hundred dollars and mumbled, “Good job, kid.” Even at that early age, I understood that writers thrive on affirmation – not because the ego needs it, but because it confirms that through our art, we connect. At that moment, my life as a writer was confirmed. My passion for languages and literature took me on a course of studies to some of the best colleges in the world. At each college, it would be the Poet in Residence that I would seek out. At Williams College, Lawrence Raab and Richard Wilbur taught me to unleash the mystery in poetry; at Brown university, Michael Harper tuned my ear for the music in poetry; at Goddard College, Alfred Corn and Michael Klein honed my technique in poetry; and at Harvard University, the Nobel-prize winning poet, Seamus Heaney mentored me in the mercy in poetry. I was immensely fortunate to share countless hours and discussions with Seamus (sometimes over a PBR and Powers) not only on the topic of how to write good poetry, but on how to be a good poet. “It takes a good person to be a good poet,” Seamus often said to me. I knew that this “goodness” was what Seamus himself strived for; it was a positioning of himself in service to the world that I continue to try to emulate in my work – empathy, authenticity, and self-effacement. It is Seamus and the mentors who preceded him that walk with me in my recognitions. My book with Regal House Publishing, Beginner’s Mind , examines a topic that I have made my life’s focus: namely, education. In a time when our schools are dogged by institutionalized goals for our children, this book gives us a classroom where personal growth and innovative thinking happens in unimaginable ways because of a remarkable fourth grade teacher. Though my soul naturally defaults to the poetic, I have chosen a prose format for this book to more directly reflect the classroom dynamics. Beginner’s Mind is a collage of teaching moments that forever changed a generation of ten-year-olds, and examines the question, “How do we want teachers to educate our children?” The answer is given to us through a series of classroom vignettes that put on display the possibilities before us when a teacher’s love is combined with the beginner’s mind. M.B. McLatchey holds her graduate degree in Comparative Literature from Harvard University, a Masters in Teaching from Brown University, the M.F.A. in writing from Goddard College, and a B.A. from Williams College. She has over thirty years of teaching and has been recognized by her university as Distinguished Teacher of the Year and as Distinguished Scholar. She was awarded Harvard University's coveted Danforth Prize in Teaching as well as the Harvard/Radcliffe Prize for Literary Scholarship, and she received the Elmer Smith Award for Excellence in Teaching from Brown University. M.B. has authored numerous literary reviews, compiled several text books for Humanities courses, and has contributed to many books on teaching. She has received national and international literary awards including the May Swenson Poetry Award for her debut poetry collection The Lame God published by Utah State University Press and the FLP national Women’s Voices Competition award for her book, Advantages of Believing . Her book Beginner's Mind was Winner of the Penelope Niven Creative Nonfiction Award from Salem College. Poetry awards include the American Poet Prize from the American Poetry Journal , the Editor’s Prize in Poetry from FOLIO literary journal, the Editor's Prize in Poetry from Spoon River Poetry Review , the Annie Finch Prize for Poetry, the Robert Frost Award in Poetry, the Penelope Niven Creative Nonfiction Award, the New South Writing Award from Georgia State University, the 46’er Prize from the Adirondack Review , and the Vachel Lindsay Poetry Award. She has been featured in Verse Daily and by AWP as a “Writer in the Spotlight”. A Professor of Classics at Embry-Riddle Aeronautical University, she served two terms as Florida’s Poet Laureate for Volusia County (2015-2025). She currently serves as lifetime Chancellor for Florida State Poets Association and as Arts & Wellness Ambassador for the Atlantic Center for the Arts. My Mentors... R. L. Stevenson 1850 - 1894 H. D. Thoreau 1817 - 1862 W. B. Yeats 1865 - 1939 John Keats 1795 - 1821 Dlyan Thomas 1914 - 1953 Yevtushenko 1932 - 2017 Richard Wilbur 1921 - 2017 Larry Raab 1946 - Michael Harper 1938 - 2016 Louise Gluck 1943 - Seamus Heaney 1939 - 2013 Elizabeth Bishop 1911 - 1979 Michael Klein 1958 - Alfred Corn 1943 -