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Index Previous Next Trigger Warning We have art in order not to die of the truth. ― Friedrich Nietzsche This spring, as in previous springs we will have our themes: A young man will take his mother to bed – then blind himself with her dress pins when he learns the truth. Another mother will die yearning for her son’s lost youth – ten years in combat in some hell called Troy, ten more at sea, a champion of the gods, or a beautifully- carved chess piece. In our fifth week, the most promising student will stop coming to class – uncounted, unseen. Some of us will look for her in our dreams. In one, she will wave, relieved, as she sails away. In another, she will signal a code – fragments like shards from an ancient, splintered vase; runes like self-spun elegies which, as a class, we will read. A champion of the gods, or a beautifully- carved chess piece? In the tenth week, the quietest one will change his place from Enrolled to Audit – a jockeying for a Pass on this charted and uncharted course – or kiss and a roll of the dice. A look at his source. The same week a veteran marine will submit his term’s work – a dense, hard-copy, thoughtful, heap – then swallow and swallow and swallow and finally sleep. A champion of the gods, or a beautifully-carved chess piece? The rest of us will proceed. Like clockwork, carillon will ring. Gowns, assemblies, deans. Swallows will stir the clock tower – Lazarus-like – and crocuses will flower on the campus green. . Copyright © 2018 M. B. McLatchey. All rights reserved. Published in Harpur Palate of Binghamton University, Fall 2018, Vol. 18.1.

Award Winning Poetry - 2006 Winner of the Vachel Lindsay Poetry Award Sanriku The game was not to look - but feel - the slow drag, the distant rise and fall, the quiet revolt of crests gaining an underworld; to know in our heels the moment of their advance: languid, insidious. "Sanriku!" one of us would call - a notice to the rest that it was imminent, and with one lift, a solidarity, we'd throw ourselves beachward, tossing and rolling in a curled force. Submerged, I would hear that call like water's moan, or like the heaving sobs of Asian fishermen, who felt too late the slip of plates, the buckling floor, the little missionary wave passing beneath their boats; who, steeped in so much grief, never knew the clarity that follows every quake -- when there, for just an instant, the contours of the seafloor below are mirrored in the water around our waists. Sanriku is a port in Japan that was destroyed by a tsunami in 1896. Fishermen 20 miles out to sea did not notice the wave pass under their boats because it only had the height at the time of about 15 inches. They were totally unprepared for the devastation that greeted them when they returned to the port of Sanriku - 28,000 people were killed and 170 miles of coastline were destroyed by the wave that had passed under them. Copyright © 2003 M. B. McLatchey All rights reserved. Winner of the 2006 Vachel Lindsay Poetry Award. Published in Willow Springs 58, Fall 2006. Previous Next

Isms Excerpted from the book Beginner's Mind Salem College Penelope Niven Creative Nonfiction Award This is the work of an original, smart, and talented writer. She has a great storehouse of knowledge and a penetrating understanding of many subjects, including human beings. It is wonderful to read someone who knows a capella, Sanctus, and the Agnus Dei, as well as Carol Channing and Hepburn (and knows the difference). When has a school room been given such vivid enunciation -- the dioramas, shoe boxes, sticker-stars, and clay figures, the comfort of “half-truths” for other children, but not for Miss D’s. With a “sideways glance,” they took it all in, and were forgiving, like Miss D (whose door says welcome, an endless acquittal). It is difficult to see any of us “condemned,” and yet, there are standards. Standards! I can’t go on admiring line after line, when I am only on the first two pages in my commentary (and my language is so stupid and pale in comparison), but that’s what this essay does to me; it says look, see, remember. Word for word, sentence by sentence, I am enthralled. Thank God for Miss D, and for being reminded that at least one or two of my own teachers were, if not her equals, close sisters. While the writer appears like a new comet on my horizon, I am wild to know what this writer will do next. Meanwhile, she will be “graded,” though A+ hardly describes my admiration. -- Emily Herring Wilson, Judge 2007 Penelope Niven Creative Nonfiction Award Salem College Penelope Niven Creative Nonfiction Award

Award Winning Poetry - 2012 Robert Frost Award - First Runner Up The Arrangement I. Because we were getting old enough our instructor took us to look at (not to touch) some pictures grown men drew. We tripped like new recruits through orderly rooms. Some were sternly directed to carry their shoes as we made our hushed advance. In the dim hall we could hear a classmate whimpering as she would whenever she felt too far from home. Her tears a kind of prelude to the work itself: Flowers in a Vase - more paint than flowers whose stems arched away, whose poppies bleated and sprayed yellow tears on our starched uniforms, on the perfect walls. All the way home, the yellow hung on our clothes. The bus took us sluggishly along, and we felt the road under its beefy wheels change to a luminous river of paint and the trees gave up their souls in Autumn's clay glow. II. I knew what it meant but not really. So I took the stairs two by two for you, like any other day. In my pocket, paintings on postcards, a stick of gum. In the kitchen below, Dad had grown small beside the cakes the ladies brought. He would not eat, he would not speak to relatives in the hall, and the relatives awkwardly leaning on end-tables like faded photos of themselves. Mother was proud to find me at my prayers and honoring the adults who were clearly "spent". When she pressed her head to mine, I felt her hair like fingers on my brow: a gesture she'd learned from you, mother to mother, and was teaching me now. And, this was "hard" and "each of us will have his own lament." It took all I had to steady my temple to hers - to keep my sorrow apart - as we planned the next few hours: where the aunts would sleep and who would order the flowers. Copyright © 2006 M. B. McLatchey All rights reserved. 2012 Robert Frost Award - First Runner Up, Robert Frost Foundation . Judge's Review Previous Next

Index Previous Next Invocation Before a Day of Teaching Janus, god of thresholds, passageways, watch over me today. Grant them your two masks: one looking back – a green confidence, salad days; the other forward – a god- scripted series of demons to slay. Let the enemy on this warring field, (this chalky classroom space) hear this, my summoning, a call before the siege: We are not here (this hushed November day) to take guild-crafted friezes, temples, city walls; not to make bards sing. Only to pass through an open gate; fling, like a skipping stone across a mirror-glass lake, sediment from this edge toward a distant base; relish the rhythmic hop across; watch and reflect on the ripples it makes. . Copyright © 2024 M. B. McLatchey. All rights reserved. Published in Crab Orchard Review . Fall 2024.

Award Winning Poetry - 2013 Winner of the New South Writing Contest Amber Alert A white Ford, black gate, Georgia plate, squeezes into our lane. In the back, a Whitetail – tagged and slashed from her chest to hind legs – looks back at us. Her eyes a dark glass. Opening day for deer hunting. Cars pass and pass. In a field, lightning bugs darted and flashed in your hand. Half-girl, half-doe, you started and stopped, palms cupped. Someone carried you off and we cheered for the boy in the clay, his heel on home plate. It was a beautiful steal. Did he thank the deer for her head when he knelt above her? When he opened her middle to empty inedible parts? When, for a clean job, he severed her windpipe and – hunter’s nectar – he saved her heart? Copyright © 2013 M. B. McLatchey All rights reserved. Winner of the 2013 New South Writing Contest. Published in new south : Georgia State University's Journal of Art & Literature , Summer 2013. Judge's Review Previous Next

Amber Alert Winner of the 2013 New South Writing Contest “Amber Alert" is a poem that is so compressed it fools us into thinking it's only going to be about a road and a deer. The clean lines hold so much more – movement, murder, youth and sensual beauty stolen, worlds of boys and girls in collision, the hunter, the hunted, rituals, and poetry inside poetry – a "hunter's nectar." In the end, the poem offers a saving grace – “her heart.” --Judge, Marilyn Kallet 2013 New South Writing Contest new south : Georgia State University's Journal of Art & Literature

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Index Previous Next Learning the Scriptures Molusco … Aqui… Aqui. Bucket in hand, I follow his lead. His silhouette in the early light strikes a perfect toe point – not ballet but the liturgy’s greeting in a sun-steamed fandango. The hard, muddy floor of low tide, his stage. I see a clam spit where he taps his toe. Plunging my fingers into the cold, black muck, I wriggle it out: meal and sacrifice. A ritual-like rhythm that the dance ignites. When we steam the clams, the smell of vinegar and hops bubbling in the broth overtakes us. A purifying incense. Pabst Blue Ribbon for him and since I am ten, Porto with Ginger Al e. In the pot the clams flower and pop. Pelican-like, he tips his head back to let the fat belly slide down whole. Delicioso . Body, blood, soul, divinity. Clean-shaven for Mass. Brown. Azorean. Vovô , to me. A welcome substitute to the homily: Tap. Plunge. Smell. Dance. Taste . But not in a faith, not in a language I knew yet. . Copyright © 2018 M. B. McLatchey. All rights reserved. Published in Naugatuck River Review : A Journal of Narrative Poetry That Sings, Summer/Fall 2018 – Issue 20.

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